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Showing posts with label rejected story corner. Show all posts
Showing posts with label rejected story corner. Show all posts

Friday, October 1, 2010

You Be The Judge

We haven't had cause for rejected story corner (RSC) in years, have we?  RSC is where all the mice come out and read short stories/literary essays that have been rejected and decide if it's worthy of publishing after all.  The whole thing was something of a flop, but I received an email that just screams of RSC revival.  Have a look:
I submitted my essay for the 'confessions' issues [of a national women's magazine]. It was a true story of a practical joke a friend and I played on my sister-in-law, that took on a life of its own. Before you judge let me say my husband's sister was a teller of really tall tales ("I'm going on tour with Joan Jett," "Revlon is offering me a contract," that sort of thing), and I decided to call her on it. As for the confession part – we never even told my husband until it was over. Our excuse was that we wanted a 'clean' man on the outside in case anything went down (ie, someone who could pass a polygraph).
My essay was rejected. I'm used to rejection. But the only essay included that month by [another] Atlanta writer was in my humble opinion stupid. The point of her essay was that she always tried to make sure she wore a necklace every day, no matter how she felt, so people would think she had it all together. Right. Now what made it ridiculous to me, was that this gal is a local columnist, owner of a boutique PR firm with high profile political clients, and is often featured in the daily rag for her happy hours with the girls. You know, how their shoes cost more than most folks monthly car note, their cocktail tab (for 4 – 6 dames) hit just under a grand, yeah, like that. Her husband is a well known local celebrity in broadcasting who, according to the newspaper, made about half a mil a year. And I'm supposed to give any part of a rodent's anatomy that she wears a necklace to give the appearance she's together?
Now I'm really not one to toot my own vuvuzuela(sp?,) but this time I thought my story much more meaningful and entertaining. And if you would like to judge for yourself, it is the first post on my blog Memoirs Of A Misanthrope, and is titled “Don't F*%k With Me.”
Is this essay worthy of publication in a national women's magazine? Thanks to The Misanthrope for sending it in.

Monday, March 31, 2008

A New Story of Sorts

Another story, folks. Up for it? "Big Fishing" was emailed with a subject line that said, Reject this Tail. Go figure. Below as a prologue is the author's warning, followed by the story, which refuses to put periods inside closed quotes and surely loves the comma, but otherwise here it is.....(with apologies to those who hate the rejected story corner feature of this blog):

Caution from the author: "Big Fishing" is a fiery tale or exaggerated proportions. It should not be read while under the influence of alcohol. The character Qfwfq is dedicated to Italo Calvino a genius of the highest magnitude and one of my literary heroes. Any resemblance of any other character to personages living or dead, should be highly suspected and perused in court.


Big Fishing

"I just don't now about these boys, Cap'n" Old Qfwfq mused as he stroked his wispy silver gray beard, some of the finely thin strands reaching almost to his protruding collarbone. The Captain, engrossed, as usually, in his one of fishing videos, merely nodded approval, without turning around, missing not a single line of digital feed, on his newly purchased, Extreme Definition, Super Duper, StadiumSurroundSound ©, Smell-O-Vision, Dvd Player and portable toaster oven.

"Times have changed an awful lot." Qfwfq continued, not sure if he had an audience or not. "Now before I came down with all this Rheumatism and Whooping cough and, before the Cap'n went off and got married"

"You don't have Whooping cough", Jameson quickly snapped," Whooping Cough is an actual disease and not an adjective, Qfwfq”.

Jameson, feeling quite snugged in his retort, adjusted his tie and turned back around to view, Interior Cam-C. He lightly scratched his perpetually present five o’clock shadow growth of beard.


Just that moment he caught sight of a disruption in the fluctuation of wave patterns on the Electro-Static Distortion Meter. That particular meter happened to be sitting a top, of a jury-rigged, non- departmental issued, Tracking Spy-Cam, to which a curious Station-Watch Commander Jameson turned to next, for more intensive review.

"Well, when I coughs, I whoops and I when I whoop, I whoops it up for a damn long time; so if that's not Whooping cough, then I don’t know what is? Qfwfq shot back, a slight tinge of attitude lingering in his voice. "Anyway! as I was saying, we, The Cap'n and I, really knew how to live life to the fullest back in those days, not like you college boys" accused Qfwfq. Thrown off track, by the correction amended to his self appraised medical condition, Qfwfq took a moment refill his pipe. After composing himself, stuffing his pipe and nitpicking up a few vagrant shreds of tobacco along, with any glimmer of credibility left, Qfwfq continued.” Looks like all you boys are concerned with is what IRA plan will eventually net you the best false teeth. Qfwfq felt as though he had regained his confidence.

“Now there was a time when, once the young ladies had exited the Beauty, Botox and Hair Salons, they were given flyers with the Captain's and I's pictures on it; advising them, now that they were all prettied up and such, they aught to beware of smooth talking, fancy dressers such as, the Captain and I. The flyers went on to explain to them some of the finer points as to how one should conduct themselves now that they had obtained certain degree desirability. It was a pity but those girls really needed some lessons on womanhood.

"They only gave them the flyers after, they came out". The Captain chimed in. "The Christian groups particularly, they knew, that we knew, most of those girls were a real mess beforehand, they were safe for the time being, certifiably exempt. Whuuu! those girls were a real mess, fashion and hair nightmare, upon arrival." The Captain shook his head, earnestly, in mild disgust.

"Kodai! I think we just may have a Burner wandering around on level C." Gasped an elated Jameson. The distortion field was registering unauthorized frequencies and the X-ray scope function on the Spy-Cam did suggest some sort of internal electronic devices in the lower regions.


Nowadays, with all the electronic gadgets, that people are surrounded by, have on them or, are wirelessly and skinjacked hooked up to, electro-fires, incapability surges and the likes were almost an everyday occurrence, even spontaneous combustion, due to our own natural internal electrical activity interacting haphazardly with external forces had been cited in a few cases.

For liability purposes, The El Grande Shoppo Mall, like most mega-malls, has on-site, their own Mini-Fire and Emergency Rescue Station. Mini-stations usually have crews of five to ten fire fighters and various medical and technical personnel. Most days, they need only to respond to the usual, minor e-shocks, slips and falls an occasional heart attack, interestingly, usually by husband, once presented with the shopping receipts collected by his wife or teen daughter.

Then there was the occasional puffer-upper to attend to, down in the Food-Pharma court, with a slice of lime or popcorn shrimp caught between the larynx and the pharynx.

But a Burner, that was a nasty deal. Here is someone, that has illegally downloaded operational software and up-linked a 3Љ hummer-bass woofer rod up his a-hole. All of this, mostly for the mere pleasure of being able to rattle his can like a 63 Chevy Impala low rider, to the squeals and delights of some sweet, easily amused, doe eyed twirliept.

Now on his own and down in the barrio, homeboy, would’ve have faced nothing more discomforting than an occasional hemorrhoid or two, by having the aforementioned gizmos fitted him where the Lord splitted him. But accompanied by accessories, like the new sleek EdeKron 4 googlebyte hard drive and dual Czechoslovakian made: banned in the US, Flesh Permeating, Sound-SurroundSpeakers, and; who knows, what manner of chop-shop hydraulics and inflatable implants, shoved in and around butt, the stakes for injury had demonstrably increased.

The crew had been lucky, not to have had, any such incursions go down on their watch since the fad had started. Not much was known as to what the youths were up to in their underground worlds of Rattleling and Can-Band but word on the street was that the technology as well as the hydraulics had amped considerably. Back in the day, a member of the Rattler’s or the Can- Band’er’s cru carried a fire extinguisher along to a dance off, to blow out an occasional flame or flare up that might have been caused in the event a dancer happened to produce a rather gaseous and ignitable fart doing his routine, be it planned or accidental. Any burns or afflictions incurred by the dancer back then was more or less superficial and even, sometimes touted about like a badge of honor by the daring performer.

But with all the rivalry now generated between the cru-s and with the escalation of hydraulics and technology, emergency rooms have reported more serious admissions. There is even a rumor going around that there is an underground video title’ Butts Gone Wild Fire’ circulating amongst more extremist elements in certain hardcore groups.

"What happened to just shaking your booty, ala naturale? Now you got all this funk in da trunk nonsense.” The Captain mumbled, just barely audible, as he reached for the Smell-O- Nozzle of the Dvd player. He wanted to get a good whiff of the trout that had just been hauled on board by the fishing party expedition featured the video.

"Maybe I should go and arrest him, for possession of illegal contraband?” Kodai said with an anticipatory smile. Even sitting Fire Officer Kodai stood taller than most men, his Russian accent enunciating each word with coldly precession. The Captain and Old Qfwfq had come to the conclusion that sitting on the wad of money, he always carried in his over-sized wallet added at least another two inches or so to his frame. He was second in command of the Mini substation, the Captain’s title being ceremonious, based on years in service rather than rank.

"No we can’t." Interjected Jameson. “I can see it now, invasion of privacy, profiling, my Spy-Cam confiscated and no way! am I going up the butt to manually pull it out. Let just keep an eye on him for now, Kodai run a frequency spotter, he got to have at least 2 cells on him, we can probably shut them down without him knowing. That aught to cut down on some of the discharge static; pull a equalizer ring field around him, that should keep him from picking up passerbyer’s static and that should keep him, and them, safe for now”.

Just then, Technoman 2nd Stat Tony Murphy slid on a dolly from under a utility rack, tools in hand, spooking both Jameson and Kodai. He had been under there for so long they forgotten he was there. Technoman 2nd Stat Tony Murphy was the youngest member of the group. He had earned the nickname ‘Two-shift’ because it appeared that he was always there, at work, at the mini-station. Legend has it that no one had ever seen him arrive to work and, for that matter, no one had ever seen him leave. It was even discussed amongst the other members of the team if maybe they should call him ‘Three-shift-Tony’.

"I heard once that some kid was ratteling , his dance-off, his pants, already half hanging off his butt, he decided to go for the Full Monty moon as a closing move, when a horde of woodpeckers flew directly at’ em. Went straight for the tushee, one of them possibly penetrating." Tony said enthusiastically, yet with all the seriousness and profession delivery of a News Reporter on assignment. The other members of the crew nodded but, more in sarcasm than agreement.

The Captain however took serious consideration to what had been said and muttered under his breath “Damn Woodpeckers ruined, My Water-King 350 Skip Jack".

Meanwhile, Jamison had rebuffed Two-shift for spending too! much on the internet’s ‘Die Space’ site. “You know that most of the stuff they report is never substantiated by any other credible news source" Jameson counseled.

“Look it was a Woodpecker that stopped the launch of shuttle mission and the Russians say one had stowed-away and they caught it on the Space Station. That’s ‘Revelations’ for you. They said it's…

Two-shift’s rebuttal was abruptly interrupted by the Captain, now irritated, due to the fond memories of his ruined craft the discussion had generated.

"So, are you guys going fishing with me next month or not?” The Captain barked, "I can’t hold reservations on that Rent a Boat forever you know".

“What's the weather gonna be like”? Quizzed Qfwfq "You know my bones reek with the rheumatism in all that cold…and wet weather".

"I might have to go to a real estate seminar that week-end." Confirmed Kodai, there’s a Shanty town, sitting on some valuable real estate down by the border, the government is going to bulldoze it soon and I want a piece that action just as soon as they do.”

"Not now, Captain" Rebuffed Jameson, "looks like our guy may be headed in the direction of Radio Hut and OK Buy, way too! much electromagnetic static down there, not to mention, the gadget goons going to shop in that area are probably top heavy with pocketops and cells. Not good, not good, Jameson reported, franticly trying to get density readout from the Static Sampler machine. “Prepare to Engage,” He announced.

Reluctant to completely surrender hold of the nozzle to the Smell-O-Vision, The Captain, using his free hand, adjusted the Fire-Stat Band to Condition: Preparatory Orange, thus allowing a noiseless drawer in the StaticGard cabinet to mechanically slide open revealing two briefcase size Electro-Trays.

“Qfwfq,” Summoned the Captain, “Do an equipment check-list count and go in the back and see if you can find or at least rig up some sort of a Proctorooter, in case we have to go in, better put on an Electro-Suit for precaution, report to Level C and be on stand-by.

"Damn E-suit”, Grunted Qfwfq, “That thing takes all day to put on and it’s hot as Hell". Qfwfq continued to complain as he hobbled back to the equipment room. “I just hope I don’t get a coughing spell once am sealed up in that suffocating thing”.

"Oh! Not now!” Shrieked Jameson. Just as luck would have it, while taking a quick survey scan of the entire C-Level. Who should he see but Old Man Nancy patronizing the Food-Pharma Court. He quickly switched over to the Spy -Cam. Jameson reported to the crew that she was sitting at a table chowing down on what looked liked Prozac Stew and washing it down with a creamy Thorazine Strawberry Shake.

“Soooo”, that why she is always so calm." Deduced Kodai.

Old Man Nancy was not some sort of Transvestite, Hermaphrodite, Trans-gender or Super Freak. Old Man Nancy was in fact not a man. Neither was Old Man Nancy old. The truth be told she was even younger than Two-shift Tony. Old Man Nancy was called that (never to her face, of course), for a couple or reasons. One, she was in charge of the whole South-West Quadrant which truly made her Da'Man. And in a case of sheer irony, Vice Commander Nancy Youngmei Wong was in fact so petite and so feminine that she was as far away as one could get from being a man without completely changing into another species. Many folks had doubts about such a seemingly gentle and feminine being even working at fire-station yet alone, being a Regional Commander. Even members within her own family thought it was all just a hoax. They concluded her she had been cleverly crafted by the Public Relations department and charged with the mission to increase female enrollment to the Fire Department.

“Damn, damn, damn". Exclaimed Jameson. “I hope she is just down there enjoying herself and not her for a surprise inspection".

“Well she is not wearing a uniform.”Kodai confirmed as he hunched over to view the display.

"In civilian clothes." Perked in”, Two-shift “Is she hot? Let me have a look at her"

Meanwhile Jameson had gone back to monitoring the Burner on the Interior Cam, or shall we say at this point, the potential Burner. In the second of time that it took Kodai to turn the Spy-cam monitor in the direction of Two-shift, she was gone from view and a disappointed Tony failed to get a look-see. "How does she do that"? Marveled Kodai.

“Hey who left the door open?" Barked Jameson, aware of changes in the quality of air. “We’re letting all the pura-Air out, you guys want to breath conventional or what? He went back to monitoring. “We are in luck guys, looks like our boy is actually headed towards the Food-Pharma Court, let’s see, he is looking around. Bingo! I think he’s going to have something to eat.

“That aught to by us some time to come up with a plan” concurred. Kodai.

From the back room the team could hear Qfwfq chatting. "Who the Hell is Old Qfwfq talking to” Puzzled the Captain”. I never-ever.. seen him as much talk on a cell phone.

"People are starting to crack, nowadays, the institutions are filling up at record numbers." Warned an easily sensationalized Two-shift, “Its all the waves of information and disinformation osmosising through the atmosphere, vexating and tribulation, interfering with and disrupting our own natural neurotransmitters, it’s a chaotic thing, I tell ya”.

“Qfwfq”! Who the Hell are you talking to?" The Captain blasted out, not wishing to descend any further into what he was sure to become another one of Two-shift’s dissertations on Chaos and the breakdown of the Human Species and, the second coming of the Mayans and, on and on and,… on.

“Old Man, I mean.. Ahw! Man, Commander Nancy is back here helping me rig up this damn E-suit” the disembodied voice of Qfwfq echoed from some place far in the back.

Moment later, clumsily out walked Old Qfwfq looking like a cross between the mummy and one of the astronauts from SpaceBoy, the popular anime character of the day. He was followed by Commander Wong now suddenly arrayed in a sleekly clad, crisp, midnight black uniform. The crew was dumbfounded. “Damn. That's why, at the other station houses, they call her The Ninja." Marveled the Captain, in an amazed whisper.


"Why is Fireman Qfwfq, the only one suiting up?" inquired Commander Nancy. “And exactly what is he suited up for? I don’t hear any sirens, see any lights a flashing” She puffed.

Whatever brand of anti-perspiration gel Station Watch Commander Jameson had put on that morning, now buckled like a Louisiana levee, under the penetrating stare of the Commander Wong. A multitude of little rivers of sweat broke free, instantly streaking his finely pressed Oxford shirt.

Kodai intervened by offering up the first explanation, citing that he was in the process of calibrating an Equalizer ring to be spun around a potential Electrocidal shopper. However, when the Commander ventured over to the monitor all she saw was Flat Rings, impotent, resting on the bottom of the visual display field. Now caught in the first spun fibers of an early web of deceit, Kodai advanced entanglement by attempted to explain why the Flat Rings were off-line and, how he was going to reconfigured the command codes and rectify the problem. At this juncture, out of Commander’s Wong’s view, without saying a word, by just pantomiming a few gestures, effectively using his hands and tools, to get the point across, Two-shift Tony was able to convey that trouble with the E-ring Emitter was the reason he had been under the utility rack in the first place. After the extraordinary performance of mime, Kodai's explanation trailed off to a whisper of high-tech jibber jabber.

While her attention was still focused on, the now barely audible, Kodai, The Captain had carefully managed to discreetly turn off the fishing video and now stood in front of a defuser circuit board. He was in the process of strapping on a Corinthian leather gun belt, with two customized, Mother of Pearl and silver handle, AED- difibber-guns as if, it had been his intention all along.

Jameson, now looked more like a man who had just ejected from a crowded subway car with a broken air conditioner on a hot August day, than he did as Station Watch Commander in a plush, state of the art, Pura-air cooled Techno-Control Room. Thinking fast, Jameson raced towards the Commander with an Operation and Procedure Book in hand. "Commander Wong" Jameson nervously approached," We got a situation here that is too! recent in scope, to be properly addressed in the manual. And I was being innovated, trying...trying to act in advance of…

Finally, Two-shift saved the day by blurting out “Commander Wong, do you know what a Burner is?”

The other mega- malls under Commander Wong’s jurisdiction were in such affluent areas and, with this rattleling craze being relatively a new phenomena confined to the hoods, barrios and inner-cities; she had no clue as to what a Burner was.

Although having saved the crew much embarrassment and possible demerits and demotions, Jameson, sensing that Two-shift may not be prone to exercising the greatest diplomacy in explaining the virtues of rattleling to a lady, even if she was a Area Commander, reasserted his charge and went on to give Commander Wong a more technical if not censored version, of the definition of a Burner. He then, very delicately, proceeded to explain how he had ascertained that presently a certain mall attending youth may in fact be a Burner.

“Is our boy ordering yet?" Changing gears, Jameson queried.

“Look like he’s is getting the number 12 at the Wimpy Burger. “ Acknowledged Kodai getting a closer, more detailed look on the Spy-Cam.

“Great!” Interjected Two-shift, that’s the Real American Burger Special, that aught to hold him for awhile, Two, quarter pound burgers, one beef, one pork, smothered in three cheeses of your choosing, toped with mayonnaise, guacamole, special sauce, additional three bacon strips on the beef burger, and your choice of complimentary toppings, a large order of sugar fried fries and a minibucket of a refreshing beverage. Man talk about good eating, I had a number 12 for breakfast this morning.

“Well then, what are we going to do, since according to Mr. Jameson, we don’t even supposed to know that he has all this hardware and software on himm, I mean in him, unless we had somehow already illegally scanned him thus invading his civil right to privacy, which, by the way,We Did.” Pronounced Commander Wong.

The Captain had seen and heard many things during his many years at the department and in service out in the field but this was the first time ever, he had ever to witness a single drop of sweat lift-off from a persons body and land to the floor with an audible’ plop!’ Jameson looked, at that moment, as if he would be in more in need the of the crew’s services than the suspected, alleged, profiled and potential Burner.

“Let’s just go grab the guy, diffuse the hardware and send him home limping”, voiced Kodai,” let the courts decide whether or not we violated his rights, in the process of possibly saving his life, or at least, his butt”

“Yavol herr kommandant”, mocked Old Qfwfq his voice muffled and at times muted from being held hostage under the canary yellow colored, hood mask with dimmer blue face shield. “We gots no rights as to what’s up that boy’s behind, If he’s fool enough to stuff it up there, then he’s fool enough to deal with the consequences but, I don’t think we can just go all up in there and trash it or, without a warrant, remove the boy’s equipment”.

“I would like to give a shoot out to the youth”, beamed in Two-Shift. “I mean like sooner
or later we’re all gonna be somehow skinjacked to this port here, getting our, whatever on. Then we be skinjacked to some port there just because it required by the law or because the
government says it's good for us. So the young folks are just upping the ante, staying ahead of
the game by becoming the source rather than be sourced or being forced to seek out the source.

“Wait a minute guys”, advised Jameson, whatever we do, let’s make sure we get this guy
into an isolated area. The last thing we need right now is someone…

“Spying on us?” Chirped Commander Nancy.

“How do you catch fish?” The Captain broke in, he had been silent and not engaged in the discussion up to this point. He touched the brim of his, non –issued, yachting captain’s cap with a two finger salute, indicating experience.

“By using good bait” Old Qfwfq spouted off, eager to be the first one in with a response.
The Captain wisely nodded and confirmed Qfwfq’s correct answer. Qfwfq, concealed behind the
opaque mask, unable to properly beam for the benefit of his fellow crew members, simply settled for ceremoniously adjusting his, no need to be adjusted E-suit, for effect.

“And what do we use for good bait?” Intoned Commander Wong, growing a bit unnerved by what she perceived were suggestive glances in her direction. The Captain took a pause and then advanced himself to the center of the group.” May I be so bold as to elaborate?” The Captain began. “No disrespect for gender or rank, Commander Wong, but since the beginning of time, for the male, the best lure of attraction has always been the charisma of a well attended to female”.

“So, you’re suggesting that I just waltz up to him and ask him to follow me to some secluded corner?” Commander Nancy asked, masking a certain degree of offense.

“No that would be crude and insulting to you, even if it did work.” The Captain assured.
“We’re talking something more refined here, something much more cultured. Don’t just assume a man is to be given in to the allures of a woman simply because she is woman?”

“Might work on him though.” Two-shift postulated in the foreground.

“Good once we get him cornered, I’ll tackle him to the ground.”Chimed Kodai.

“No, no, no.” The Captain continued, trying to get the focus back to his sermon.” What attracts a man to a woman is her sense of elegance, refinement, a mysteriously concealed sensuality…” The Captain…

“Sophistication, maturity and a nice do.” Old Qfwfq raced in, at 186.000 miles a second.

The Captain went on to explain how with the right amount or attitude and demeanor with just a hint of provocation, how she could get him to do whatever she wished without being crude, lewd or cheapish. “I suggest that you bestow upon this misdirected youth…”

“Well! Whatever she is going to bestow, she better start bestowing quick.” Interjected Two-shift bursting the melodramatic bubble.” Our boy has laid to rest the pork burger and has a firm hold on the beef. And by the way Captain, this ain’t da club.”

“Let’s get to then.” Asserted the Captain, no time to change into your civvies but could you sex up the uniform just a bit.” Reluctantly, Vice Commander, Nancy Youngmei Wong, compiled. It was decided that Commander Wong should attempt to persuade the B-boy to accompany her to Level G. Level G would have the least amount of vehicles parked on lot in the parking structure. The shops on Level G were mostly Book stores, Vintage Record shops, a Wild Bran Market and gym that catered to children. That level had very sparse foot traffic and the lot was always half deserted.

“The bun is OK by my standards but you might want to lose it for the youth.” Pitched in a faceless Qfwfq. Commander Wong sneered and set off about her mission.

Foreseeing that whatever action they decided to take may one day be added to the Fire Departments Operation and Procedures Manual, Fire Officer Jameson took the precaution of
hauling a tripod and digiCam up to Level G. He also had the presence of mind and ambition to change into another crispy pressed oxford shirt and tie for the occasion. The other crew members had brought and were in the process of assembling and laying out all the equipment and materials they thought they may possibly have to use. Along with the standard emergency medical and fire equipment, Fire Officer Kodai decided to bring a stun gun, truncheon and Tq4 professional police baton just in case, as he hoped, thing got out of hand. Qfwfq, now
having the outdoors to contend with, complained bitterly about the humidity factor he was now imagined himself to be experiencing inside the E-suit. Nevertheless he professionally went about laying out the equipment from the EletroTray in neat orderly columns. Now wishing to be outgunned by the Captain, he had also strapped on his own customized defibber gun, awkwardly, to the bulky E-suit. From outward appearance his guns looked liked standard issue but Qfwfq had fashioned a smiley face on their surface plates that would indelibly be stenciled on the chest of a deserving recipient. Technoman Murphy had gotten all his tools and gadgets set up fairly quickly and being a card carrying member of the ADD generation had already grown bored with the wait and was deeply engaged in video games and virtual simulations his PS2∞.

“Hey! Pondered Old Qfwfq, no friend to technology, himself. “Can you program into that thing, a virtual simulation as to how an Eletro-fire in the butt could come about and what the results would look like? Man oh! man, talk about your fire in the hole.” Old Qfwfq grimaced.

Two-shift Tony received the request with a great amount of consideration, then evaluation and followed by (due to the earlier ingested #12) flatulence-ation. Two-shift deem that it just might be possible and set straight forth to achieving such.

We’ll never know what charms Commander Nancy used to get the B-boy to walk her up to Level G but their effects delivered the goods. Not even the fact that she was in uniform, albeit a now sexed up uniform, could dissuade the youth from escorting her. He had even planned to treat her to a little demonstration of his musical man-humps. Sadly for him, these plans came to an abrupt end once he stepped out of the stairwell on Level G. Terror griped the lad as he saw rushing towards him, flashing badges, like two G-men from a badly produced Roaring 20’s serial; Fire Officer Jameson and Goliath-like Officer Kodai. Panicking, the youth made a run for it, his low swung trousers, impeding a quality chase. Taking a blind corner around a parking attendant’s shed, the youth collided, full force into Old Qfwfq, sending Qfwfq, much like his Diver Dan forbearer look- a - like, over the side of the guardrail and into the great abyss.

The youth, knocked out cold, had somehow triggered his play operational function to GO before his lights went out. A horrified Commander Wong, unsure as to what she could do in face of such a bizarre spectacle, looked on, frozen in her tracks.

Jameson and Kodai rushed to the aid of Fireman Qfwfq who was now suspended over seven stories by the utility belt being used to harness his diffiber guns. In the fall, the belt had become caught on a mooring post on the rail. Nevertheless, doom was still being debated by threads of government issued cloth which at that point were stretched to the breaking point; Old Qfwfq took the liberty to notify Elizabeth of his soon to be arrival into the hereafter. The fact that there was no one in Qfwfq’s life named Elizabeth was mote at that point and Qfwfq didn’t feel the need to challenge his rational mind over the issue. However Qfwfq rescue was only seconds away.

Two-shift took careful note how the sight of seeing Jameson and Kodai haul Fireman Qfwfq back from over the rail an unto the parking lot surface, looked remarkable similar to the segment had had seen earlier on the Captain’s fishing video of the fishing party hauling the caught trout on board the boat. He made an entry into his PS2∞.This bared further examination at a later time.

The Captain was the last to arrive on the scene; he had been in the portatoily, taking care of nature’s business unaware of the happenings going about outside. What he saw caused him to shout out in disgust and point a condemning finger. “That’s an abomination.” He watched the seemingly lifeless body of Francisco Javier Lopez, propelled by his technological enhanced hindquarters, rhythmically bounce up and down and to and fro, on the El Grande Shoppo Mall tarmac, to the tune of MC Hammer’s ‘Can’t Touch This,’ like a Mexican Jumping Bean two days away from its birthday.

Thank God for both the Captain’s and Commander’s Nancy sake, the tune was in its last chorus and no song had been cued up for next play. The song now played out and emotions abated, the crew set about their next course of action, all for except Qfwfq. He still lay on the tarmac, exactly where they had pulled over to and, taking full advantage of his reclined position,
decided to get himself a happy nap. He had just been through a traumatic event and thought the rest would do him good. And anyway, he wanted no parts of what he still believed to be an invasion of the youth’s civil liberties.

The youth exhibited a brief amount of dazed consciousness. Commander Nancy, gently by his side tried to offer reassuring words, just before slamming him up with full dose of Dormazine.
Jameson let go a resounding snap of the cuff of an examination glove he had just dawned. He carefully surveyed the array of surgical tools that lay before him. Jameson summarized that the collision of the youth with Qfwfq had actually been in their favor. They could report that they just wanted to question the youth on an unrelated matter. Some of their equipment was missing from the, impromptu, training demonstration they had decided to conduct. They would assert that they thought he may have been involved. They could further imply that in the aftermath of the pursuit and collision that the boy’s equipment started to dangerously malfunction thus directing the crew to investigate the conditions surrounding his behind. Seeing the imminent danger, we had no choice but to go in and remove the equipment, concluded the Station Watch Commander.



Kodai rived up the whirling proctorooter that Qfwfq had managed to rig up from various parts of other equipment. The dental drill whirl of the device caused Qfwfq to abandon his happy nap. Kodai proceeded to order the Captain to get the KY jell and prepare for entry. An empathic Commander Wong asked if the procedure would cause the youth much pain. Commander Nancy was unaware that she was absentmindedly rubbing his Francisco’s back with tender care as she look expectantly, back and forth one officer to another searching for some reassuring answer. She found none.

The Captain respectfully saluted then began to draw down the boys oversized boxers shorts. Commander Nancy, hand held to her mouth and turned away. Staff Officer Kodai revved up the proctorooter one more time, sending it through it various gears, like a Harley in heat.

“My God,” gasped Old Qfwfq from his sedentary post. He now felt a surge of guilt from having rigged up the apparatus.” Do we really have to go up the kid’s butt with that thing?”

“Its either that or possibly this” piped up Technoman 2nd Stat Murphy. Two-shift had just at that moment received the benefits of his labors. The information and various codes he had loaded into his PS2∞ finally posted. He could now run a simulation of an electric butt fire due to either malfunctioning components or shoddy workmanship. The crew temporarily abandoned their roles to view the rather life like graphics displayed on Tony’s PS2∞. Jameson complimented Two-shift on the quality of the program and suggested he upload it to the Digicam for further evidence on the hazardousness of the dangerous new fad.

“Hey! Yelled Qfwfq,” He was now quite comfortable speaking from a prone position. He had also concluded that the E-suit wasn’t really that bad so long as you didn’t have to walk or work in it. Its heavily padded insulation panels offered it nest like quality. It made, for Qfwfq, a rather nice sleeping bag. “Why don’t we just bring the boy out of nacreous, show him the program Commander Nancy take the boy off privately and personally explain to him the dangers of such lifestyle?”

And bring that thing over here so I can have a look. Also I am on break now; I’ll be out here awhile.


Many years later, as Tony Murphy leaned over port side of the Captain’s new and, paid for, RiverQueen Deluxe, Twin Board with the optional, anti-Woodpecker undercoat, He reminisced.

“Cap’n who would have thought it?

The Captain, already sensing where Tony was headed. Shook his head, to indicate, not him.

“Doctor Francisco Javier Lopez, Designer and President of a fortune 500 company, designing sound systems used to restore hearing capacities to the deaf and hearing impaired.”

“That freeloading Jameson and Kodai got rich just by buying up all that stock in his company.”

“And how about that Mrs. Lopez”

“I wonder if she still has her old uniform”

“You ever hear from Old Qfwfq?”

“No he kind of disappeared, years ago, last I heard he we headed somewhere up North, in the wilderness.”

“Not the hiking suit that doubles as a suspendable sleeping bag idea?”

“Yup”

“Cap’n, who in their right mind would want to hang from a tree in an over puffed suit?”

“At least he’ll have one customer.”

“Hey! remember the stupid jingle idea he had as sales promotion?”


“To the Bears 1.2.3. CAN’T TOUCH THIS!”
“To the Bears 1.2.3. CAN’T TOUCH THIS!”


“Hey I think I got a bite”


End

Monday, March 17, 2008

Rejected Story II: Should It Be Published?


Our brave anonymous wanted to post another story and let you have at it.

Here are the author's notes: "The open auditions referred to actually took place (I lived in New York at the time). I wrote it long before the movie "Capote" came out. If you saw the film, did you notice anything about Perry Smith's legs? I asked four people that leading question, and none of them noticed a thing (one woman said that she noticed he had two). The movie distorted many facts. I changed the title to "Deus Ex Machina" for its appearance at your site. I won't darken your Inbox with another story. No, no, don't plead. It won't do you any good.

Here are the only comments I got (out of 18 rejections)":

"On behalf of all my colleagues at XXX, I thank you for submitting your work and giving us an opportunity to consider it. Unfortunately, we are going to pass on publishing this story. You should know that "XXXX" was well received by my colleagues, and consequently, remained on our "backburner" for some time until the final acceptance decisions were made. We know that the story is likely under consideration elsewhere , and we are confident that it will find a home (if it hasn’t already.)"

To Mr. Prescience: Wrong!

"I like this story, it’s intriguing and beautifully done, but I don’t think it’s quite right for me."

Our anonymous author adds: "This comment is from an author whose name you would recognize. I wonder what he wants? Not something intriguing and beautifully done. So I quit writing and became a harness maker."

Here's the story:


Deus Ex Machina

Whenever Aaron, during his growing up years, happened to be in his father’s auto parts store, Ray would be seated on a stool at the far end of the counter, taking orders. He made no impression on the boy — just a voice talking into a phone. Then one day, as Aaron stood next to his father at the cash register, he heard that voice announce “Time for my lunch” and turned to see Ray slide from the stool. But he didn’t rise. Off the stool he was shorter than when he was on it. It was his legs — stunted, not the length of the top part of him. Actually, the torso was bigger than a normal man’s; his tight, black T-shirt hugged a weightlifter’s chest and shoulders, which made the lower part of his body seem even more out of proportion. His jeans fit loosely, the bottoms rolled into thick cuffs, and emerging from the cuffs were pointed boots. As he walked his whole body listed slightly from side to side, a shoulder moving forward with the same side leg. A kind of swagger. He came up beside Aaron, his eyes level with the nine-year-old boy’s.

“What you looking at?” he asked, with a mean grin.

Aaron pressed close to his father and heard him murmur “Now, Ray,” in a tone one might use on a recalcitrant stallion.

Ray would not again acknowledge Aaron’s existence until the summer after Aaron’s first year of college. During the span of almost a decade the only thing that Aaron saw change on Ray was his gnome-like face, becoming more wizened, a plum turning into a prune. The Indian-straight hair, slicked back, retained its shoe polish blackness, the torso stayed pumped up. The T-shirts were black and tight, a pack of cigarettes tucked under the fold of the right sleeve, above the bulging, tattooed biceps. The voice talked into the phone, as it had done before Aaron was born, speaking of cam shafts and master cylinders.

The silence between the two wasn’t caused by a lack of proximity. All through high school Aaron was required by his father to work in the store, to learn the business. Aaron began by cleaning up — sweeping, dusting, doing all the dirty, futile jobs. Later he unpacked boxes, shelved, filled orders, made deliveries, took inventory. First in one store, then in two others, as his father expanded his car parts empire. Not that Aaron received any benefits from being a wealthy man’s son. Not even a salary; room and board were not, in his father’s view, to be handed out free to an able-bodied teenager. And there was no appeal, for his father — the “sir” of Aaron’s life — took pride in being a hard man. He expected his son and wife and employees to bow to his just dictates with unquestioning obedience. Strange, then, that Ray treated his boss with the same slightly contemptuous indifference that he did everyone. Never a “sir” passed his lips. When Aaron asked his father about this he answered that he and Ray went back quite a few years. “Anyway, what matters is that the man knows cars inside out” — the highest praise that Aaron’s father could bestow.

A similar evaluation he could not give about his son, who was interested not in parts but in the arts. Aaron’s obsession with movies and novels and plays made absolutely no sense to him. How the hell could you make a living in the arts? “Lots of fags in show biz, son. Want to be around fags?”

So when Aaron got his way, leaving Minnesota for the University of Southern California, it was no small triumph. Although ostensibly planning to be a business major, all the electives Aaron took were in the liberal arts. He achieved a 3.75 GPA, which got no response from his father. Back in St. Paul for the summer, he was put on the payroll. His salary was ominously generous. “A man’s wages,” his father announced grimly. “Time you started acting like one.”

But California’s golden sun had kissed Aaron more deeply than his father could imagine. He was a man, he had proven that, and all the automobiles in St. Paul lined up in a row could never mean as much as Cabiria’s final smile in the Fellini film. Aaron’s life aspiration was fixed: To create a meaningful work of art.

During that summer Aaron did his assigned tasks, but in a desultory fashion. He stayed apart from the other employees, eating lunch at the receiving desk in the back. One Monday he glanced up from a book to see Ray swaggering down the aisle toward him.

“What you reading?” Ray asked, his voice hearty and aggressive. Aaron smiled, remembering the “What you looking at?” of nine years ago.

He held up a paperback copy of The Member of the Wedding, the play version. On the cover was a photo of the three principals from the Broadway show sitting at the eternal kitchen table.

Ray lowered himself on a box. He gestured toward the book.

“I remember seeing that on TV when I was a kid. Same three people. That little dude, he’s dead.”

“Brandon de Wilde.”

“Yeah, that was his name. He couldn’t have been much younger than me when I saw that show. Now he’s long gone. Brandon de Wilde . . . He was in a movie with Paul Newman.”

“Hud.”

“Hud. Right. Where Newman tries to stick it to that gal who works for them.”

“Patricia Neal.”

“Right. I read that she had something wrong with her. Brain tumor or something. She dead too?” Ray reached for his pack of cigarettes, extracted it with expertise from his shirt sleeve. “And Newman, he was young, a real dreamboat in that movie, but now he’s an old turkey-necked geezer. Movies show you how damn fast time passes. We’re in our glory for a moment — at least some are — then old, then gone, just like that.”

Seated on the edge of the low box, little legs splayed apart, pointed boots pointing outward, Ray raised a hand to the side of his head and snapped his fingers; a flame appeared. He drew a shiny metal lighter toward the cigarette in his lips.

“Do you ever think about that?” he asked. “Time passing? Or are you too young?”

“Oh, I think about it.”

“Were you in your glory out there in sunny Cal?”

“Something like that.”

“I’ll bet, what with your interests. Yesterday I overheard your father telling Mildred about you wanting to make movies.”

“What’d he say about it?”

“That you were nuts. What you expect him to say? Anyhow, it got me to thinking. Since you know all about movies, I have a question for you. Who am I?”

“Who?” Aaron laughed. “You’re Ray.”

The laugh was a mistake. Ray’s eyes narrowed, his smile took on a mean twist.

“Ray? The Ray who works for your dad? Sells auto parts? Now why the fuck would I ask you that? What I mean is, I was almost in a movie. A big time movie. I’m asking you who it was I almost played.”

“I don’t know.”

“You don’t know and don’t care, huh? Well, I’ll bring you something tomorrow. Then you’ll understand. Cause for all you know, you don’t know shit. Not about me, you don’t.”

Ray rose, turned and walked off, his departing figure shifting from side to side. Then came a plaintive cry, one uncannily like a boy’s.

“Shane! Don’t go! Come back, Shane.”

The figure disappeared into the shadows.

That’s how he would direct it, Aaron thought, years later. Always have Ray merge into and emerge out of darkness.

The little man briskly materialized the next day, tossing a battered paperback book on Aaron’s desk.

“Ever read that?” He took his place on the low box. The book was In Cold Blood.

“No.”

“You should. It’s pretty good. Know the story?”

“Two guys murdered this family.”

“Yeah. Four people killed. The Clutter family. So you didn’t see the movie?” I mean the first one, the one they did in the 60's. They made a TV version not too long ago.”

“No. Haven’t seen either of them.” Aaron picked up the book. On a corner of the cover was a splatter of blood in which was written “over 3,500,000 copies sold!”

Ray removed his cigarettes from his sleeve.

“See those two pieces of paper I stuck in there? Read where I marked.”

Aaron read the sections, both descriptions, then his eyes rose to observe Ray. Ray grinned.

“Know who I am now?”

“You’re this guy. You’re Perry.”

“Yeah. Perry Smith. One of the murderers. We’re a match, ain’t we? His legs got fucked up in a motorcycle accident, I was born this way, but it all amounts to the same thing. Both of us crips. And the hair, the build — the two of us dead ringers. We even both have Indian blood. Anyway, when they were gonna make a movie of the book I was living in New York, trying to be a movie star. Yeah, me. I was twenty-five, twenty-six. So they announced open auditions, big ads in Variety calling for two guys to play the killers. Claimed they weren’t interested in using well-known actors. So naturally I tried out. I’ll tell you all about it — starting tomorrow, a story while you eat your lunch, OK? The thing is, I was certain I’d get the part. See, I believed what they were saying to me. But one day I picked up Variety and read that Robert Blake got my part. Hell, he’s just short. And he was never at those auditions. Those auditions, they were just a publicity stunt. A freak show. Robert Blake — Little Beaver in the fucking Red Ryder movies, he’d been in movies all his life. No, they never wanted the real thing. You should rent the movie. A fucking mess. But what can you expect from something that started out as a lie? So, anyway, a few weeks after Little Beaver got my part I came back to St. Paul. . . .” Ray paused, smiled. “You having a problem with this, kid? Seeing me as an aspiring actor in the Village? That’s the trouble with how the young think about old people. You see me a certain way and can’t imagine me any different, because it’s over for me. But you don’t have trouble imagining yourself being some genius director. Another Orson Welles. For you that’s a sure thing. But is it, really? Cause here we are, the two of us, both working in your dad’s store. That’s the only thing that’s a fact. You and me together.” He rose, started off, then turned. “I’m lending you that book. Same copy I had in New York. So take care of it. And don’t advertise it to the world. Comprende?”

When Aaron looked back on that summer he had to admit that he did understand something, even the second time they met. He kept the book hidden from the eyes of all others.

Over the next three days — only three days, a fact that would forever amaze Aaron — Ray visited him at lunch, told him his story. Not artfully, but Aaron could shape the screenplay into a narrative flow, one that had a beginning and an end, with the crucial point being the question that Ray would ask on their final day. In filming it Aaron would have Ray tell some of his story in a long monologue, like the one Bergman used in Persona. Ray would be seated on the low box, the black hair and black T-shirt blending into his recurring motif, darkness. The swarthy face, the smile, the moist eyes, the tendrils of smoke about his head, the powerful arms crossed over his chest.

“Yeah, I was born this way, one of the cards I got dealt — that I’d have to toddle along on these two twisted little bastards all my life. But growing up, in my teens, I was one of those types who overcome their disability. I was the life of the party, even when there wasn’t no party. Loudmouthed, always dressed up in weird outfits, the class clown. Acting like everything was hunky-dory. Oh, I had a lot of acting experience before I ever set foot on a stage. And from the first time I was on a stage it felt like where I belonged. Getting lost up there in a part. All through high school I was in most every play, they’d find a place for me. I had some big roles too — the Stage Manager in Our Town and Puck in Midsummer Night’s Dream. Back then I hammed it up, that’s what people expected of me — to be like some toy poodle, wearing a funny hat, dancing on his hind legs. But in a way I didn’t care, not then.

“That changed after high school — and, hey, kid, think about it, that makes me your age. And you know, I see a lot about us, me then and you now, that’s alike. Sure, you’re put together real nice, but I’m talking about other things. Like you wanting to be a director, me an actor. Same thing, basically. Now, I don’t know how bad you want it, but for me it was like this big craving. Me five foot two, and I had this seven foot appetite. Course, I didn’t have no USC to go to. I worked at my brother’s garage — that was another place where I could get lost, under the hood of a car, or lifting weights — but every night I was at one community playhouse or another. No more clowning. I got serious and people took me serious. I played Nicely-Nicely Johnson in Guys and Dolls. I could sing pretty good — so could Perry Smith, you know — and every night I brought down the house with “Sit Down, You’re Rocking the Boat.” I got raves as Leroy in The Bad Seed. For other roles too. I’ll bring in the newspaper clippings tomorrow, you can read what the reviewers said about me. But St. Paul and audiences of seventy-five people wasn’t enough for me. So I saved my money till I had a sizable stash and then upped and went to New York.

“The Big Apple . . . Oh, I got taught a lesson in how little I really was — that I was no higher than a pile of dog shit in the eyes of the bastards who make decisions. Though I did find a home for my talents. What they called the experimental theater scene — La Mama, places like that. Lot of queers, they took a liking to me, oohing and aahing over Little Ray. I guess they saw me as a fellow outcast. Anyway, there I was living in the East Village, acting in absolute junk. Hamming it up, the weird outfits again, dying my hair a different color every week. It was like high school — parties, being the clown on and off the stage. And I tell you, after two years I was getting eaten up inside. It felt like being trapped in this place you have to get out of, but there’s no way out. One of those searching nightmares.

“Then one night I was at a party and this queen I knew rushes in and starts shrieking ‘Ray, where’s Ray?’ and waving a book around. ‘Where’s Ray, I must see Ray this very instant!’ And talking about open auditions.

“You know what the book was. I took it home and got to the page where Perry is first described, and after that my whole world concentrated on one person, on Perry Smith. He was me, I was him. I could understand him in a way others couldn’t. Like where he says how it is with us, how one hurt gets piled on top of another til somebody else has to take on some of the load. Which is what happened when he found himself in the Clutter house. It was those four people who took on a good part of his hurt. But an important thing is that if he hadn’t been there he might have lived his whole life without hurting nobody. That’s how it works — all it takes is the right situation to come along. Looking at it that way, and knowing how it turned out, it wasn’t only the Clutters who got murdered that night. Perry Smith and Dick Hitchcock did too. That’s how the movie played it, all teary-eyed for the executed killers. Which is wrong. Because you can understand all you want, but you can’t have sympathy for those two. Because the truth is, people like them ain’t so nice.

“I kept thinking about how I could show it all, practicing reading his lines over and over. Course, I also knew that this was my chance at fame. This time my disadvantage was my advantage. How can I say it all? It was a lot of things wrapped up together.

“I took to making myself look more like Perry Smith.”

Here, Aaron decided, he would end the monologue. It would be better to show the young Ray going through the transformation. The bright, showy clothes replaced by the stark black T-shirt, brown leather windbreaker, pointed boots. Black hair growing in, supplanting the blue. Long sideburns. A snarling, orange-eyed tiger being pricked into the skin of his left biceps. Ray moving with purpose through the streets of the East Village.

But at this point there came an interruption of Ray’s story. On Thursday, when he took his seat on the box, he looked at Aaron’s haggard face and let out a low whistle.

“What’s that I saw going on between you and your dad? After work yesterday? You jawing away at him in the car.”

Aaron’s story, neatly curling itself inside Ray’s, to live and feed there like a parasite.

At the beginning of the summer, on their rides to and from the store, Aaron had spoken to his father about his life at USC. Looking back, he understood that he was asking for approval from the man, still trying to earn his respect. So he casually mentioned the girl, Samantha, and how he had helped her edit a short documentary film, a film that might be shown at the next Sundance Festival. How he had a real talent for editing. How USC had one of the best film schools in the country. How, already, through Sam, he had met important people . . .

But his father had not responded in any way. Aaron too lapsed into silence. At least he had offered up the truth. If his father’s attitude signified a disappointed resignation regarding his only child, Aaron could accept that. Gladly. He gazed stolidly out the window, turning his thoughts toward USC: the vital, creative friends there; L.A.’s nightly panoply of lights; the expectant darkness of a theater. Back at USC, he would declare his major. “Declare.” What a liberating word.

Then came the afternoon when he got into the car and his father passed some papers to Aaron, telling him to sign them.

“They’re to transfer you to the University of Minnesota. What I’ll never understand is how the hell I ever let you and your mother talk me into this California crap. Cost me an arm and a leg, and for what? Sundance Festival, for Christ’s sake. Well, son, I do occasionally make mistakes, but I never let them compound themselves. Come on, let’s get this done, I want to drop it in the mailbox.”

Aaron had never spoken to his father so bitterly. But it gave him no satisfaction. He soon found himself reverting to childishness, even demanding, shrilly, that he be given wages for all the years he had worked without any. His father laughed.

“My father — the drill sergeant! You don’t build character, you destroy it! What you want is for people to be your puppets. That’s the reason Mom divorced you!”

Wincing in mock pain, his father put his hands over his ears. “Son. Please. Not in an enclosed space. This shrieking — either bring your tone of voice down to the level of a man’s or get out of the car.”

Aaron began to open the door, but his father grabbed his arm. His face and grip were stony, his voice low.

“Yes, your noble mother. She’s free as a bird now. Flown the coop, hasn’t she? And seems she’s left you behind. Those papers will be on your dresser when you get home. Either have them signed by tomorrow morning or you’re not going anywhere. Hear? Not one penny from me.”

That night Aaron signed.

Ray nodded.

“If your father says something, he means it. Go to UM. Better than nothing.” Ray lit a cigarette, leaned back, observing Aaron through narrowed eyes. “Remember how I said that we were alike? I was thinking of family life too. Me, I grew up in a nuthouse, got nothing but these legs from my parents. But you ain’t had it so easy. I been knowing your father longer than you have. I’ve seen how he’s treated you, at least since you was a teenager. Oh, we’re not so different. With me it was my legs. But long as your father controls the purse strings, you’re stuck too. That’s your trap, kiddo. Another thing — your father’s not going to accept you the way you are, and that’s kinda like how it was with me, how I wanted the Perry Smith role, but, hey, the world told me to fuck off. That’s the last time I asked anybody for anything. Every night when I turn off the light I say “Fuck you, world,” and every day when I wake up I say the same thing. Keeps me strong, in some way. Been doing it for over thirty years. Ever since the audition.”

A decade later, when Ray was dead (a cancer of the esophagus took him; Aaron, living in Chicago, kept in correspondence with Mildred to learn such news), Aaron began to contemplate the idea for a movie. Although ostensibly about Ray, it would also be the story of Aaron’s life, spanning three decades — from “What you looking at?” to “What you reading?” to the deathbed line Aaron would give to Ray: “Fuck you, world.” The movie would radiate out like jagged spokes from that week of lunchtime talks.

But Aaron found that he was hazy on the details of the auditions, which he planned to have as the swirling centerpiece of his film. Maybe the haziness was due to time, but more likely Aaron had not listened so intently to Ray’s story on that particular day. Instead he had been mentally pacing the cage his father had built for him, called the University of Minnesota. Searching for a way out.

So, to learn about the auditions, Aaron turned to the Internet. But nothing was forthcoming; he soon switched off the computer, lay back in bed and lapsed into his typical inertia. His life was idle, impractical, unmotivated — perhaps his father had been right about him all along. Well, anyway, a director could hire people to find out about the auditions — the where, when, how.

For the time being Aaron could imagine them, in broad strokes. The scene is a gathering outside a theater at the appointed hour, the sidewalks crowded with would-be Perry Smiths, almost all properly attired in leather jackets and jeans, dangerous scowls in place. A lot of shorties, a few dwarfs, some tall fellows in creative slouches. Bottles of black hair dye had been applied, with varying degrees of skill. Some of the men carried guitars. Many eyes lingered uneasily on the person of Ray, the obvious king of this hill.

Mixed in with the Perrys were the dingy-blond Dick Hitchcocks. The other murderer, another odd-looking bird, also the victim of a vehicular accident. His face had been knocked askew, the left side being a shade lower than the right. Eyes, nose, mouth — mismatched. Could the world cough up a replica of him too?

All shuffling in when the door opened, listening to directions from a young man with a clipboard and the haughty, impatient demeanor of an underling in charge. Filling out cards, waiting for their chances to cross the stage to the microphone and speak a few words to the three shadowy figures in the third row. Everybody knew what was going on this day — it was a weeding out. Ray’s card was placed on a slim stack.

What cinematic style to use? Make it a crowded, rococo canvas or take a documentary approach? Whatever, it would play as a comedy. A grotesquerie, with naked ambition as the driving force. A ludicrous contrast was that the auditions were to find two men most convincing as lifetime losers turned cold-blooded killers, but those doing the selecting were people intensely concerned about getting a prominent table at the latest trendy restaurant. This Big Moment in Ray’s life was, as he said, a lie, a freak show. But at the time he not only believed in it, he felt his life aspiration come closer and closer to fulfillment as, over the next month, he moved upward in a progression of steps. He did readings, he saw his competition dwindle to a few Perrys, none of whom were as right as he was. (“This one guy, he was good, he had the legs, but he was at least forty, and Perry was ten years younger than that when he murdered those people.”) Aaron would depict it all, and he’d also show Ray at the East Village parties, the center of attention, fawned over as a soon-to-be star. Aaron recalled Ray telling about a moment late in the game when he sat with the casting director at a conference table in an uptown office, and the man talked about the director’s vision for the film, asking Ray if he saw his part in the same light. Though the man did not speak the final words, Ray left that day believing that he had the role of Perry Smith.

Back to the stock room of an auto parts store. Friday, their last day together. A smile on Ray’s sixty-year-old face. He had smiled throughout his story and he would smile to the end.

“They’d always wind up with ‘We’ll keep in touch,’ but then came the time when they didn’t. My phone just sat there. So after two weeks I started calling them, but everybody was always unavailable — in an all-day meeting or in L.A. or someplace. I kept giving the secretary, this oriental gal, the same message, for someone to call me. But nobody did. I knew what was up. I been feeling it grow in my stomach, so it wasn’t that much of a surprise when I opened Variety one day and saw that Robert Blake got the part.”

Aaron would show Ray stopping at a kiosk, buying the paper, opening it . . .

This part of Ray’s account Aaron remembered well. Maybe it was his own recent defeat that caused the words Ray spoke to carry special significance.

“It was over, just like that. No explanation, nothing. All next week I’m in my room or walking the streets, thinking. Then I decide to pay a visit to the office. I ask, nice and polite, to see the casting director — Bruce Sutherland, I can still remember his name — and Tokyo Rose says that he’s out for the rest of the week. So I’m back next Monday morning, all smiles, and she says that he’s in a meeting, and I say I’ll wait, and she says it’s at another location and he won’t be in this office again today. But can I leave a message? And I say no, I’d like to talk to him. I even hang around outside the building. The next day when I go up there, to the eighth floor, she has an envelope for me, my name typed on it. Inside is an index card. I remember the exact words: ‘Some really fine work, Ray, but, ultimately, we were left unconvinced. What we found lacking was an underlying sense of menace, something which is vital for carrying this film. But we sincerely wish you the best in your career.’

“So I read it a couple times, standing there, wondering what Brucie Boy knew about menace, and then I told the secretary that I’d still like to talk to Mr. Sutherland, and she asks why, and I tell her that I want to see how far I can make his tongue stick out of his mouth when I get my hands around his neck. It wasn’t five minutes later that two guys from Security are there, to escort me out. Both six-footers, we must’ve made quite a sight, each of them holding onto one of my arms. In the elevator I clown around, asking how I could get a job like theirs, and if they’re going to boot me into the gutter when we get outside, like in the wild west movies, when they throw someone out of the saloon. And this one guy says, no, they’re going to treat me like the gentleman I am, but that if I come back they’d have to hold me for the police. I say that I won’t be back, that I’m through with show biz, and we all shake hands in the lobby. Two days later, on the train to St. Paul, I reached a way to see it. When they rejected me, Ray, they had really rejected Perry Smith. So it was only fitting.”

Ray lit another cigarette, crossed his legs, gazed reflectively at Aaron.

“Never told that story before. Just to you, kid. . . . Well, I suppose the only thing left to tell is how I got here, in this store. Not that it matters, but when I was back in St. Paul I started working again at my brother’s garage. He was heavy into drugs, basically trying to kill himself. Which he eventually did, and then I ran the place myself, for years, but there were a couple of incidents with dissatisfied customers where it came down to me putting my hands on people. The police were called, that whole scene. So I decided maybe I needed another type of job, one where there wouldn’t be nobody getting in my face. I saw an ad and came to this auto parts store — this very one. It wasn’t open yet, your father was unpacking stock, shelving it, and I could see right off that he didn’t know shit. I mean, there’s a certain way to organize things. So I just started in helping him. That’s how I first met your father. A young man back then, in his twenties, not married yet. Kind of a pretty boy, like you. I showed him how to set things up, plus I knew a lot of mechanics around town. Yeah, I helped him get the business up and running. Not that he’ll give me any credit for it, not your father. And not that I care. This is just a place I come to get a paycheck. I don’t give a damn about this place.

“So that’s it. Story time is over. Oh — you may be wondering about the acting. I never did one bit of it, never again.”

But it was not over, not for Aaron. Ray had a question for him.

For this moment Aaron would have the lights dimmed even more. He would have Ray take a long pause — smiling, contemplating the boy before him, carefully choosing the words he would speak.

“So, listen, kid, I got one question for you. Seeing as how you’re a director — or at least you want to be one. Sure, you’ve run into a snag, but it could be temporary, this setback to your plans. Not like it was with me. So, anyway, they said I wasn’t convincing enough to play Perry Smith. Meaning that I couldn’t have killed those people. But what do you think? You as a director? Do you think I could do it — kill somebody?”

Aaron would also pause. A long, damning pause. How difficult it was, ten years later, to say how calculated his answer was. But even if there was a possibility of something between them, the most plausible interpretation of Ray’s question was that it had no deeper meaning. Only innocent words were being exchanged. So even if Aaron did speak with bitter intent, it was done frivolously.

The extent of his complicity would forever be unclear to Aaron.

“Yes,” he said, looking directly into Ray’s eyes. “You could do it. You’d be my Perry Smith.”

Ray nodded, his smile widening into a grin. He clapped his hands on his knees with finality. He rose and stretched, his big arms flexing voluptuously, then he was gone.

He did not return. For the rest of the summer he never acknowledged Aaron’s existence. The two would never again speak.

Yet at the moment when Ray stretched and then moved into darkness Aaron felt a fearful expectancy descend upon him. He wanted to call Ray back — but why, to say what?

In dreams Aaron would call out to Ray, but no sound would come from his straining mouth.

The uneasy fear and expectation was like a dark clot inside Aaron as he spent his days at the University of Minnesota, not attending classes, dissipating, watching movies. For weeks he could forget it, or ignore it — afraid of what? waiting for what? — but Ray’s face would sometimes rise unexpectedly before him, like a smiling genie emerging in smoke from a bottle.

On a November day, a cold rain falling, Aaron returned to his rooming house to find a message waiting for him. There was a number for him to call, an unfamiliar one, and underneath were scribbled words: “Said it was urgent.”

As he tapped out the eleven digits, hand trembling, he already anticipated where the phone would ring, what the voice would tell him. He even knew the one word he would utter in response: “No.” He wondered if the sound he would make would be convincing, expressing the proper shock and denial. That word — he had tried to call it out again and again, in his dreams, to Ray’s departing figure.

Someone picked up the phone. “Detective Lambert.”

It had indeed been a conspiracy that Aaron had entered into on that Friday. And though it was one unfairly thrust on a boy, he’d have to live the rest of his life with the knowledge of his part in it. Time does not heal all things. Perhaps he was weak, as his father had believed. At any rate, he never recovered enough to become anything, to do anything — nor, with the money he inherited, was there any need to. Even the whole idea for a movie about Ray was just another idle reverie. For one thing, it would be impossible to make, for it would expose things that must remain forever hidden.

There would be no “meaningful work of art” of any kind from Aaron. He wasn’t like Ray, who was ambitious to the end. Just to look at the man, at sixty. Hair still black, body pumped up. Still waiting to play Perry Smith! And he had, not in the Clutter house but in the house that Aaron had grown up in. Sometimes Aaron imagined his father’s words, in his last moments. Always the same words, the ones he had used the first time Ray had looked into his son’s eyes, as the nine-year-old Aaron pressed against his side. But now his father spoke them in rising panic and disbelief.

“Now, Ray!”

Though the reality of those moments had been more mundane. Apparently Ray had acted with workmanlike efficiency. The police commented to Aaron on the lack of clues. Though cash had been taken, there were no indications of a forced entry. There were also no signs of a struggle. The victim had been struck on the back of the head by a blunt instrument, but the actual cause of death was asphyxia.

“Asphyxia?” said Aaron, his lips moving numbly.

“Well . . . Strangulation, actually.”

So Ray had fulfilled his director’s confidence in him. The case moved from “following some promising leads” to “asking the public for any information” to “still under investigation.” Then silence. And Ray never asked for anything in return. He said he never asked anybody for anything. Maybe the role he had gotten to play, at long last, had been enough.

Friday, February 8, 2008

Have We Jumped the Shark?

A commenter has accused LROD of jumping the shark with these new rejected story postings. Maybe it's true.

On Feb 8, 2008, 11:28 AM, in response to Or Would You Publish This Sad Story?, jimbolaya said... "If I am a shark, I fear this blog has begun jumping me. Hasn't anybody gotten an idiotic rejection lately? My favorite of late was a form rejection with a hand-written note: 'We liked your essay, but it's not right for our apocalypse issue.' Then Puerto del Sol kept my novel excerpt for fourteen months before informing me that I'd submitted outside the reading period (by a matter of weeks, I might add) and invited me to resubmit."

I'm not sure what I think of it. The whole thing just kind of developed. But that's what good about writers; we know how to revise (and revise, and revise). So, we can always turn back if need be. I don't know: what would Fonzie do? What do the blog mice say?

Thursday, February 7, 2008

Or Would You Publish This Sad Story?


Here's another much-rejected story that's been slightly disguised by the author (plus title withheld) for your consideration. Does it merit publishing?

Title Withheld

Sandra and Janice sat on the bed, memorizing what they could of Marion, who, now dying, seemed nothing like the woman who’d given them life. The days slipped by quickly, and yet it all seemed absurdly slow. Weeks of the same; slack jaw and fever with no movement whatsoever, so that even hoping for something––progress in either direction––seemed cruel. Time threaded apart and added confusion. They might as well still have been little girls, perched on the bed frame, waiting for their mother to wake and make them breakfast, take them swimming. They sat on the bottom half of a pilly hospital blanket, ankles tucked under, knees splayed. They were all grown up, and yet, now, presiding over their mother's dying body, it didn’t seem so.

"What about a priest?" Sandra finally said. "Maybe Mother would want one?”

“Mrs. Robertson,” Janice said, speaking loudly into her mother’s ear. “Do you want a priest?”

It took most of Marion’s energy to reach the surface of consciousness, what was left of it—life was so fragile now—but she managed to wave off the suggestion. She wanted nothing of religion. Not any more, not now. She made the gesture again, bony arm barely lifting off the bed, fingers flicked decisively and suspended in air. How lovely, Marion thought; communication with her daughters should always have been so clear, so well executed.

“Take it easy, Mrs. Robertson,” Janice said, still very loud. “It’s not your fault."

Marion hadn't spoken for days; the sound of her voice, strained and sickly, came as a surprise. “Of course it’s not my fault.”

Janice touched her sister’s arm, as if in the act of reaching out for their mother she'd somehow missed the mark. “It’s okay, Mrs. Robertson. We're here."

“Yes, here,” Marion said, or maybe just thought. “But not going very well.”

Sandra jumped to her feet. “Should we call for the doctor?”

These revivals were alarming, although they’d been warned that the process of dying was anything but linear. Some people get very lucid just before they go, Dr. Alberts had said. Janice hated his euphemisms –– just before they go –– “Go where?” she'd wanted to say. Sandra, on the other hand, hated everything but these comforting bits of wisdom from the doctors. There was so much to hate: the slow decline, the hushed conversations, the way her mother's wardrobe underwent a metamorphosis. Bulky gold amulets, jaunty knit slack suits –– usually navy blue or lime green –– and something like soft leather hiking boots. Who but their mother would treat cancer as an excuse for a make-over? And yet there she was acting as if it were a minor inconvenience that warranted immediate updating of clothes and attitude. She insisted on being dropped off at her Chemo treatments, rather than accompanied? “Wait in the car,” she demanded, as if she were only running into the deli to get a loaf of bread. “It'll just take a few minute.”

Now in the bed, Marion flapped her eyes at the ceiling.

Sandra, about to enter her second trimester of pregnancy with twins, looked around frightened. “What should we do?”

“It’s just a little burst of energy,” Janice said. “Isn’t that right, Mrs. Robertson?”

Marion’s voice was like fine grade sandpaper. “Why is everyone yelling?”

“Extremes,” Janice said in a normal voice. “It’s what we’ve come to.”

Later, when they'd all gone home for the night, Marion thought it over. Her family came often, stayed late, said little –– a sure sign. And here it was, unexpectedly, a moment alone.

“What's not my fault?” Marion said aloud. She was thinking about the fact that once she had loved another man as much, if not more, than she loved her husband Richard.
The night nurse sighed deeply and took Marion's temperature. “None of it is your fault, dear. Really, not a thing.”

****

Sandra didn’t want the babies’ names to rhyme.

“Of course not, sweetheart,” her father said on the way back to the hospital after an emergency appointment with the obstetrician when it seemed like something might be wrong. “Why would you?”

Outside, the weather was mild, Indian summer. Good for business, Sandra's husband, Paul, had said. Paul Pirot Construction did its best work in dry weather, and timing was everything. Paul wanted to work as much as possible, so he could be around when the twins were born. Still, Sandra felt bad about prevailing upon her father for transportation, especially now, of all times, when her mother was so ill. But there was bleeding, and an appointment was made early in the day.

“A couple of stitches to the cervix,” the obstetrician had said cheerfully, “and those babies will stay right in place!”

Seated across from an educational model of little matching fetuses, Sandra’s father seemed pale and tired.

In the car Sandra said, “Daddy, they're going to sew me up like a sack of flour.”

He patted her hand. “Don't worry, Princess. Everything will be fine.”

Sandra could feel the babies moving under her ribs, heartburn wearing tennis shoes. She missed being thin and light on her feet. Missed her elastic figure and the appearance of youth, though she was 34 and beginning to wrinkle around the eyes. She missed spin class and making love with Paul on Saturday morning, because now she was too nervous. Her skin felt tight as football leather, which seemed to prompt her new favorite phrase, which she uttered all the time, even when no one was around: If you touch me I’ll pop.

Her father turned expertly against traffic into the hospital lot. He pulled into a parking spot several yards from the entrance. “Put the seat back and lie flat. I just want to check on your mother.”

“I'm starving,” Sandra said.

“Cafeteria?” her father offered brightly. “One toasted cheese and chocolate shake coming up!”

Sandra watched her father traverse the neat black pavement, heading toward Emergency, a short cut Janice had discovered after their mother’s first terrible surgery, which ended when they sewed her back up without even attempting to remove any tumors. When at last Sandra’s father seemed a safe distance, Sandra took from her purse a pack of Marlboro Lights and a can of Lysol. It was a soft day late in September, unusually pleasant. The parking lot was surprisingly busy.

Opening the car door wide, Sandra lit a cigarette and inhaled deeply, reviewing the facts. On the ninth floor of the mammoth brick building, which had come to feel familiar now, her mother was dying, which had given her sister a reason to pull herself together emotionally. As usual, the crisis had become yet another excuse for the two of them (Janice and her mother) to gang up on Sandra, to all but obliterate the otherwise happy news that she was giving birth to twins. Her mother had always wanted babies.

Sandra let the realization drift into smoke.

When it came to family dynamics, Sandra was always the one who got the short end of the stick. For instance, when their mother carried on like a teenager with the junior high school principal, who at a tender age was employed to act as cover? Who turned a blind eye, sated with secret ice-cream sundaes and long afternoons at the movie or mall? All that subterfuge turned Sandra, the baby of the family, bitter at an early age. When things went downhill with Principal Howe, and their mother was secretly broken hearted, who acted as confidant, keeping it all under raps, so Daddy wouldn’t find out?

Sandra sighed, remembering how Janice had escaped the entire sordid mess by being a moody teenager, a normal high school girl with love interests of her own and friends who drove cars that could take her away. A matter of timing, or just plain luck.

Even as adults, Sandra carried the brunt of the responsibility. For instance, when Janice suffered from nervous exhaustion after her divorce, sleeping on Mother’s sofa and heading straight for a nervous breakdown, who suggested she see a shrink, someone unrelated entirely to Janice’s ex, a man she married after years of seeing him as an analyst? And did Sandra ever criticize or say I told you so, while Janice ran around the house, straightening the bedspreads and aligning the fringe on Mother’s throw rugs? Instead she kindly suggested medication. But was there ever any room for her in her mother or her sister’s life? Did they ever offer her constructive criticism, or God forbid, a helping hand?

And now there was this ––– her mother’s discovery of cancer exactly coinciding with Sandra’s first happy moments of double gestation.

“Jesus,” she said to herself in the empty car. “I really can’t catch a break.”

All in all, pregnancy was worse than expected. The stress and gas made Sandra feel like drinking again. Not real drinking, like when she was in college and used to wake up with naked people she didn’t even know: cab drivers, professors, and once a woman from town. Not like after college, when she used to drive the car to Connecticut and wake up in jail. This was different; she longed for the pleasure of a lovely red wine, something mellow to calm the nerves. A glass of Merlot would be good. She’d heard the Australians had perfected the art sometime after she’d gotten sober. Why not? Sandra thought. People do it all the time. She didn’t tell Paul because he’d only worry. They’d met each other at AA, after all, a fact that Sandra tried to downplay around her family because she could just imagine the kind of conversation her parents would pursue:

“Sandra and Paul go to AA together, Richard," her mother, all whispery and conspiratorial. “You know alcoholics anonymous.”

“I’ll drink to that!” Her father lifting his scotch glass cheerfully.

Her mother, bemused: “Alcoholics don’t have a sense of humor, darling. Let’s just keep this little tidbit entrez nous.”


Sandra could also picture her mother’s distress in conjuring up all sorts of terrible images: a smoky little circle of alcoholics in the basement of the local church, confession about a lousy childhood, a lousy life. Her mother had somehow managed to twist Sandra’s teenage drinking into an accusation, as if Sandra had manufactured some irrefutable proof of early neglect or emotional abuse. Anyway, she wasn’t really going to drink, and no one knew about the smoking.

Paul would be horrified to know. He wanted to elope: “I think the twins should have parents who are married.”

The generic reference to their babies as ‘the twins’ irked her. “Loving parents is all any human being needs.”

Sandra stepped outside the car for a moment, although the doctor told her not to stand up at all until after the procedure. “They might just fall right out of there,” the nurse had joked in a way Sandra didn’t appreciate. She stubbed out her cigarette on her father's tire and flicked the nub across a Subaru Wagon parked to her left. She hadn’t seen the driver approaching on foot, loaded down by a huge black purse the size of a suitcase. The woman was small and dressed in a red coat with incongruent white running shoes.

“Oh sorry,” Sandra said.

The woman gave her a dirty look.

“What? You’ve never seen somebody expecting twins before?” She sprayed Lysol directly into the air near her father’s car.

The woman looked stunned. She was younger than Sandra, despite the matronly outfit. “It’s cruel, you know,” the woman said, trembling. “Some people would give anything.”

Sandra slammed the car door and felt bad. Some people, she thought, jamming a stick of Double Mint into her mouth.

****

When Marion woke again it was dark. Richard was there, sitting by the bed, reading aloud from the paper. Leave it to Richard to think of the New York Times at a moment like this, and yet the more she listened, floating in and out of wars and crimes, political scandals –– even bridal announcements! –– the happier she was knowing that there were people around to carry on. Someone had to be responsible. The others, Marion thought, unable to stop herself from wondering about God. She’d been expecting this kind of reasoning to surface; it was predictable, drivel that brings comfort to the unquestioning: her daughter Sandra, for instance. Well, certainly she didn’t begrudge her daughter a faith in the higher power or whatever it is she believed in these days.

But no, Marion didn’t want God.

She hadn’t needed Him while giving birth to her girls (Life! after all Creation!), or while going through the battering ram of every day life. She wouldn’t need him now. Besides, who was to say who God was? Maybe she was God. Or Gerald Howe, Principal at Westchester Middle School, and in truth the only man she’d ever desired with every inch of her mature body. They’d made passionate love on the living room sofa, where they were caught in the act one afternoon by Sandra, a mere child, at the time, disguised as a budding teenager. Maybe God was the look of awe and disgust on a teenager’s face. Or the pain Marion felt when Gerald broke things off. Or maybe God is Richard, the patience nad loyalty of a humble man, Marion thought, listening to Richard drone on now about the stock market, as if she were perfectly well and able to chat with him over evening cocktails. Sweet predictable Richard. There it was before her now: the delicate shape of his skull showing through thinning hair. There were his nostril hairs stirring gently as he dozed off at the end of the paragraph about the downfall of Internet companies. He'd been so patient with her through the years. Richard! His ears protruding comically and wrinkling slightly at the lobe. She knew those ears better than she knew herself, and maybe that –– that exact feeling of knowing –– maybe that was God.

Marion tried to fend off the undertow of morphine.

In her cloudy mind, a memory floated up, phone message playing quietly, Sandra’s voice: Not your little girl anymore, Daddy.

“I should say not,” Marion had said, standing by the answering machine after her second round of Chemo. “Hell of a way to announce the future.”

“She’s eloping?” Richard looked stunned, hurt. He replayed the message twice more. It clearly stated that Sandra was running off to marry Paul and that no one in the family was invited.

In those days, Marion could clock the hours before she started feeling ill; she still had a little more time. “I suppose a private affair is better in her condition.”

“We’re really not invited?” Richard didn’t have much of a poker face. He paced around the room silently, mulling the insult, before giving in completely. He sighed deeply and muttered something about saving a bundle.

Marion patted his back. “That's the spirit, dear.”

Now, she lay in the hospital bed, dreaming of Gerald Howe, who’d broken things off so completely 17 years ago that it still took her breath away to call up the pain he had caused her. She remembered the sad sweet words he’d spoken during their last phone conversation: Darling, did you really think we could go on like this forever? He loved his wife; he’d taken a vow. By constitution, he was no habitual liar. Besides, they both had children and marriages to protect. It was absurd, and yet somehow completely forgivable that in fact Marion did believe that they could on forever, couldn’t help it, really. Yes, she’d said. Why not? No one ever has to know. Besides, if anyone could pull it off, we can.

Good-bye, Darling, he’d whispered with conviction. Don’t call here again.

In her most recent dream, Gerald arrived for lunch, as if no years had passed, and Marion tried not to focus on the obvious questions: What was she doing there, riddled with cancer? Could she possibly sit in a restaurant with Gerald Howe with tumors spreading like beach pebbles along the banks of her colon? Could she order wine and laugh about the good old days, which maybe (now that she’s had some years to think about it) weren't so good after all? In the dream, she carried on gracefully, ordering chicken Picatta, smiling over a white tablecloth and a setting of decent China. When her meal came, she ate silently, relishing the food, which had been served on a platter by Sandra wearing a black tuxedo –– two small pieces of chicken stuffed inside two tiny wooden boxes, shaped like little coffins.

****

Most everything seemed pointless now. The aids came by anyway to make Marion choke down a few driblets of applesauce and mashed potato. Squatting like sheep at the gate of her bed, they counted and measured every drop that went in, and, mortifyingly, every drop that came out. On the morning of whatever day came next, Marion brought up the soft substance in a mess on her gown, and suddenly remembered her father, now long dead. Once he'd taken her ice skating, long ago, it must have been, though she could see him kneeling at the foot of the bed to help her tie up her boots, a grown woman wearing Peggy Flemming powder-pink skates. This is what they want from you, Marion thought angrily, realizing her mistake. A Lifetime TV version of dying. Her father cared very little for her; that's what she should remember. The present, not the past; that's what she should catalog.

She tore the I.V. out of her arm and threw it in the air.

“Now, now, dear,” said the private day nurse Richard had hired. She was blonde and young, but had little patience for disturbances.

“Yes, I know,” Marion screamed. “Now! Now!”

Later, when the sedative wore off, Marion managed to identify the exact indignant feeling: It's an insult.

“We know, Mrs. Robertson,” Janice said, as if she could read minds. “No one likes it very much.”

Janice had taken on the role as family spokesperson, making grand pronouncements over afternoon milkshakes from the cafeteria and hurried dinners of Chinese take-out. I don't think Mrs. Robertson would want anyone giving up. And, We really ought to take turns rubbing her back and holding her feet. It was just like Janice to assume leadership, Marion thought proudly, ignoring as best she could her quirks. She’d been calling her Mrs. Robertson since the fifth grade. Affectionately, of course, Marion reminded herself, aware of the early signs of mental illness. Still Janice had come a long way since the divorce and her most recent nervous breakdown. She was even talking about moving back out on her own again and dating, always a positive step under any circumstances.

Marion smiled.

She hadn't meant that the insult was the cancer, or the cancer treatments. It wasn't even the cold certainty of dying, but the insufferable act of a lazy mind producing some sentimentalized idea about what was happening. (Is this happening? She thought, Oh my God.) She tried to concentrate: What is this like? What is the experience of dying like minus the violins?

“What do you think it means, Daddy?” Sandra said, leaning in and observing her mother's grimace.

Sandra’s husband Paul was the one who answered. “I think she’s smiling.”

Sandra leaned her head on Paul's shoulder. He was so gentle, even when he was wrong. He patted her burgeoning stomach timidly, as if to say, How are my twins? It was nice to be able to read someone’s mind. The stitches had worked; the babies were fine. She whispered in his ear: “Do you know what the last thing my mother said to me was?”

Paul shook his head.

She leaned in to whisper again, and this time smelled the familiar fragrance of his hair: sweat and soap. “She told me: Love hard, baby.”

“Love's hard?” Paul crinkled his nose.

“No,” Sandra laughed. “It was a command.”

“Oh,” Paul said, still looking confused.

Janice checked the morphine drip, and looked at Paul and Sandra. “What are you two whispering about?”

Sandra shook her head, returning her gaze to the bed. There lay her mother, completely unembellished, bald. She seemed to disappear into the white hospital sheets. It was more of what Sandra had expected from the start, and there was a certain comfort in having the moment finally arrive. In fact, during the months of chemotherapy, Sandra had hated how normal it all seemed, how misleading. Her mother fully dressed, sitting up and chatting with a nurse, as if she were getting her nails done. Tuesday had been her regular treatment day; funny that Sandra should think of that now. (Today was Tuesday, she realized.) Before long, her mother had known everyone by name and diagnosis. Having won the fight to accompany her inside, Janice and Sandra trailed her through the waiting room, each with a cup of chocolatey coffee from Starbucks.

Behind a white curtain, Marion motioned to the cup of coffee in Sandra's hand. “That stuff's going to kill you.” But before Sandra got a chance to pretend it was Decaf, Janice butted in. She motioned to the clear bag of 5FU hanging on a silver post above Marion's head. “Ditto to you, too, Mrs. R.”

Marion smiled. “You always were the witty one, Janice.”

“I'm serious, Mrs. Robertson. Why don't you try something alternative: acupuncture or Chinese herbs? That stuff's going to kill you before it stops any tumors.”

“This is just the Benadryl,” Marion said. “The toxic stuff comes next.”

Janice felt her mother's arm in the splint. “It's so cold.”

Everyone at the treatment center loved Marion, and praised her for being brave. The other patients stopped in behind Marion's curtain, patting Sandra sympathetically and asking questions, eyes lighting up at the mention of twins, as if the treatment room were one big family room. Cancer reunion, Sandra thought, where some relatives die chatting about weather. The only grim proof of reality was the tube dripping poison into her mother’s arm. Even though Sandra had started to warm toward her mother during those final weeks of chemo, she sometimes just wanted the whole thing to end.

Do something, Sandra thought, hold her hand, tell her a secret––anything!

Finally she managed a confession: “Paul wants to name the babies Daniel and Anabel.”

“Danny and Annie?” Marion snorted.

Janice looked alarmed. “Don't do that horrible rhyming thing, Sandra. You'll totally regret it.”

Sandra shrugged. “I'm not going to. But do you have any ideas?”

“Well now, let's see,” Marion said.

In the silence, Sandra cleared her throat.

Janice sighed; her divorce had gone through and she was sliding down a slippery slope. Marion leaned forward, wistfully patting Janice's hand. “Oh buck up, Sweetheart. All men are shits.”

“Perhaps you might have mentioned that earlier," Janice said. “Like before I got married.”

Sandra spread her hand out over her lap and looked at the beautiful antique diamond ring from Paul's dead grandmother. She saw the sweet-faced old woman from the photograph on Paul's piano beaming out at her and felt comforted.

Her mother smiled. “Never too late to become a lesbian, dear.”

A passing nurse chuckled.

Sandra looked up, suddenly panicked. “You don't mean Daddy, though, do you? Daddy's not a shit.”

“No, no, not Daddy,” said both Janice and Marion at the same time.

“Of course Daddy is a little absent at times,” Marion said, as an afterthought.

“Yeah,” Janice added. “Like when you really need him.”

Sandra's eyes filled with tears, which she knew had to do with the hormones of the pregnancy. Nothing else happened until the oncologist came by, stepping behind the white curtain to deliver yet more bad news.

****

Later, when the residents came around with tubes to thread down Marion’s throat, she realized that dying was a lot like living, except there were fewer obligations. Death was like life but without banking, dishes and radio stations. No Q-tips, Marion reasoned, though she wouldn't miss them –– not now.

“Is she trying to say something?” Janice asked.

“Maybe we should take dinner out to the hall?” That was Sandra, ever timid.

“Nonsense,” said Richard. The only word he'd spoken in days.

Marion knew that Richard thought all this was somehow his fault. Just this afternoon he'd ordered another day on the feeding tube; he couldn't figure out how to let go. (At least she could still discern that this was an act of love; that must be a good sign.) Richard, she thought, Oh, Richard. Where have you been? He was only now just catching up with her, a race he'd been losing since they'd had the children. Now that it was finally just the two of them, it was unfair of her to leave. A part of her wished she could confess and be forgiven. It was possible that Richard really was wonderful after all. These many years, standing at her side. Maybe. And so maybe she did understand something about love. Maybe just then, at that precise moment, finally. Love and pain—and the space in between ––Richard and Sandra, Janice, and Principal Howe. Maybe she understood in the way that needed no explaining, the way that was beyond all the words she had ever spoken, or ever needed to speak.

Marion's family gathered around the hospital bed, trying to read her lips.

“It must be important,” Sandra said.

“She’s saying she loves her family,” Paul said, assuredly. He held Sandra’s wrist in one hand and a carton of broccoli with garlic sauce in the other, unaware that he sounded sentimental, unconcerned that he knew Marion not at all. “Maybe she just wants you to know.”

“That’s not it,” Sandra answered in her softest correcting tone. “Not our Mother.”

“Sandra’s right,” Janice said. “Daddy, I think she’s saying your name.”

Richard stood: “It’s okay, darling. I’m right here.”

“No, wait,” Janice said, “it looks like something else.”

Even now, Marion was a commanding presence; they could feel her desire to communicate at last. They could see it in the way she thrashed her head with a sort of fevered Anne Sexton appeal. She let her hand remain lifted in air, for no apparent reason, pinky slightly extended. She was still raw, still sexy, even in death; anyone could see it. When she shifted in the bed, opening her eyes suddenly, it looked as if she'd had a revelation. Janice was still clutching a pair of plastic chopsticks; Paul still glancing down at the carton of Chinese. No one said a word. Sandra watched silently along with the others, as Marion's mouth opened and closed, parched and searching, lips puckering noisily, once and again, as if she were blowing kisses good-bye.