Tuesday, July 29, 2014
a petition going around at change.org against the nasty unwashed book bullies at Amazon. Among the many signers of the petition: Anne Rice. What can you do? It's like Jules Renard says: "Writing is an occupation in which you have to keep proving your talent to those who have none.” That said, just for fun, how about a little look-see at some funny book reviews of classic novels as written by some geniuses on Amazon (presented by the Huffington Post).
Sunday, July 27, 2014
this catastrophe of agent rejections, mice? Well, it never got any better. In fact, my novel got published because I entered it into a small press first novel contest. It didn't even win, you know, but it did get chosen as one of the four books the teeny tiny press puts out there in the world. The publisher says, "Basically because this deserves to be a book." And that's that. Of course I do have an agent for the more commercial enterprise of mine, but that book is still being written. Why is it taking so long to get it right, the commercial book? I don't know. Maybe that's just not the kind of Girlie Man I am.
Friday, July 25, 2014
With my novel due out November 11, 2014, I learn that the publisher/editor of the little press is pregnant: baby due in December, a few weeks following the birth of my novel. This is incredible happy news, and I am glad for the budding family. Also there's an illness in the family of someone closely related to the book. This is just life, I know, life and death.
Here's the long and short of it; I used to say that if my manuscript ever made it into a book I would be eternally grateful and humble. So be it. For now, I say thank you for the book, and I will shut the fuck up. Amen.
Thursday, July 24, 2014
this author, this book, this victory? Right then. So you can keep at it, friends. Some people take longer to get to the goal than others. No shame in that. Some books have longer gestational periods and some books are rejected for, say, a decade. This "experimental" novel won the Baileys Women's Prize for Fiction, the Desmond Elliot Prize, the Kerry Group Irish Novel of the Year, and the Goldsmiths Prize. A very small press published it. Hooray for small presses! Hooray for persistent artists! Writes the Telegraph:
McBride began sending her manuscript to publishers in 2004 but its experimental style – with no commas or speech marks - made it a difficult sell. She endured rejection after rejection, and all but gave up hope that the book would ever see the light the day.Right on, yo. Write on!
Tuesday, July 22, 2014
I ran across a book titled The Rejection Junkies Book in my travels. I read a little bit about it, and I guess I have to admit I qualify. The author's blog asks the provocative question: "Are you tired of being rejected by the world?" Um, yes. I am. But I'm used to it. Did you know that by 8 years old, 80% of our emotional patterns are formed? Was I therefore raised to be a writer? My family would be surprised to learn it, I think. They wish I'd stop writing; it makes them uncomfortable. Hmm...I'm going to go lie down on the couch and think about that for awhile.
Monday, July 21, 2014
this guy (who is NOT my father)? He wrote an essay titled "How to Read a Rejection," which on the whole is very interesting. You can read it here. Consider his words of wisdom on the power dynamics involved in rejection:
As someone who has been writing letters of rejection 30 or 40 times a day for more than 35 years, I have considerable sympathy for my friend the writer-and an appreciation for the dilemma of "the editor," someone compelled to reject far more often than accept and to manage relationships with writers that are wildly lopsided. The editor has almost obscenely exaggerated power, since the ratio of candidates to published stories is so enormous (at least 1,000 to 1 at the Atlantic Monthly) and the writer's emotional stake in acceptance or rejection is so huge.He parses out the meaning of different rejections, and offers some insight, probably nothing you don't already know. Still, a helpful read.
Saturday, July 19, 2014
Smoke in your face and an avalanche of rejections for a Joan Didion story circa 1965:
Saturday Evening Post:
Many of us read it and a great many were excited and insistent in their admiration of it. Others, and they include Bill Emerson who has the final vote, also admired it but felt that it was wrong for the Post, not so much because of its subject matter, but also because of the oblique method of narration.
The New Yorker:
As a whole it just isn’t effective enough.
Ladies’ Home Journal:
Too negative for us.
I feel very bad about rejecting this story — not because I think it’s really a well worked-out story but because the writing is so awfully good. She has a very special way of involving the reader… but I’m turning this down, reluctantly, because I don’t think it’s a successful story in the end.
Just too brittle.
While “The Wellfare Island Ferry” is almost my favorite among the stories we have published… I feel that “When Did Music Come this Way?” is not quite as good.
Not quite right for us.
Unable to use this particular story.
The Atlantic Monthly:
I hope you’ll be sending us more of Joan Didion’s work, but this didn’t make it, so back to you.
Alas, not right for The Reporter.
Via: Brainpicker.com whose magnitude for reading and writing interesting blog posts seems endless. Thank you. (Plus to be totally transparent, this is also a pick up of the cool yellow Brainpicker quotation marks, with which I am now officially in love.)Marvelously written, very real, and so utterly depressing that I’m going to sit under a cloud of angst and gloom all afternoon… I’m sorry we are seldom inclined to give our readers this bad a time.
p.s. Interesting to see what the respectable magazine rounds for a story were in 1965.